Monthly Archives: February 2017

Oscar Wrap Up 2017

What an interesting night. Here are some things that flew through my head:

-First off, let me get this off my chest. La La Land deserved the awards it got. It was a visually beautiful movie, with a good score, and a good story with charming leads. (I will say I would have preferred Barry Jenkins or Denzel winning for Director but that’s me.) I don’t necessarily love the music (found it a tad bland), but City of Stars (which won) is definitely memorable. And granted I did not see Jackie or Elle, but Emma Stone winning was deserved. I thought she was great. I did say it did not deserve Best Picture, and it didn’t (more on that later). So, everyone can calm down now haha.

-I’m really glad Arrival picked up something (Sound Editing) because I feel like that one was overlooked.

-God Bless Viola Davis. She is a fucking inspiration. (pardon my language) She is who every actor should aspire to be.

-Didn’t love the choice of Casey Affleck. Personal issues aside, to me “Manchester by the Sea” was “white man does not handle grief well for two hours”. Meh.

-Yas Mahershala Ali. I missed his acceptance speech, but am very happy he won.

-Zootopia! Piper! Fantastic Beasts and Where to Find Them (Which FINALLY brought home an Oscar for the HP franchise)

-Getting political tonight. Alright. I’m down.

-That last five minutes. Holy. Shit. I knew something was up when a white dude with a headset and envelopes started walking amongst the La La Land people. I leaned over to my friend and said “something’s wrong.” Goddamn. I wanted Moonlight  to win, and I’m so glad it did. The La La Land crew handled that awkward situation very well. Warren Beatty and Faye Dunaway did not. I’m sorry. You look at the envelope and see “Emma Stone, La La Land.” You know they just gave that award out. How hard is it to be like “Oops, we already gave Emma her Oscar!” Or something jokey and dumb like that.

Overall. I think this year definitely made some strides with #oscarssowhite Thank god. Let’s make this the new baseline, the norm instead of something to work towards.

Until next year!

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Posted by on February 27, 2017 in Uncategorized


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mv5bmje4nti3njizof5bml5banbnxkftztgwnji0nti5ode-_v1_ux182_cr00182268_al_The story of Richard and Mildred Loving, an interracial couple, whose challenge of their anti-miscegenation arrest for their marriage in Virginia led to a legal battle that would end at the US Supreme Court. (IMDb)

Nomination: Leading Actress (Ruth Negga)

This story is so interesting, and definitely deserves to be told. I just found it interesting that it’s billed as “their fight” or “their legal battle”. In reality, while they most certainly dealt with discrimination, they also weren’t super active in their legal process-they weren’t even present when the case was in the Supreme Court. They went on living their lives and waited for the result. Which in a way, perfectly explains this couple. They weren’t looking to change the world, they just wanted to be together and “not bother anyone.” Joel Edgerton and Ruth Negga are wonderful together. They have an easy chemistry, and their opposing personalities weave very well into each other. I will say, this movie is definitely a slow burn and doesn’t quite have a climax. It’s all very quiet and understated. It doesn’t make for a truly riveting movie, but it does make for a simple, and yet still effective one.


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Posted by on February 27, 2017 in Uncategorized


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Florence Foster Jenkins

mv5bmja0mzc4mjmxml5bml5banbnxkftztgwodiwntqxode-_v1_uy268_cr00182268_al_The story of Florence Foster Jenkins, a New York heiress who dreamed of becoming an opera singer, despite having a terrible singing voice. (IMDb)

Nominations: Leading Actress (Meryl Streep) and Costume Design

So, I love Meryl. But I remember seeing the premise for this movie, seeing that it was a fluff, cute, commercial film, and thinking “this was her 20th Oscar nomination?” But you know what? I get it. She took this fluff piece and really elevated it to something with heart. She hilarious and heartbreaking all at the same time. I don’t know why I doubted her. I should have known better. The rest of the film is pleasant enough. Hugh Grant is charming, the costumes are super fun, the singing scenes are really funny. Nina Arianda is a scene stealer as a socialite’s newest wife. I’ll be honest though, I was not digging whatever Simon Helberg was doing. If that’s how the man really was, ok fine. But I felt he was playing a caricature while every one else was playing characters. Anyway, this is a pleasant enough diversion.



Posted by on February 25, 2017 in Uncategorized


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Hidden Figures

mv5bmjqxotkxoduyn15bml5banbnxkftztgwntu3ntm3ote-_v1_ux182_cr00182268_al_The story of a team of African-American women mathematicians who served a vital role in NASA during the early years of the US space program. (IMDb)

Nominations: Best Picture, Supporting Actress (Octavia Spencer), and Adapted Screenplay.

So, of all the best picture nominees, this one is definitely the most commercial. But. It is also the most inspirational. Like I’m still smiling thinking about it. These ladies were mostly likely some of the brightest brains they had at NASA at that time, but were shoved into a tiny building crunching numbers all day. The fact that these three women worked inside the system to upheave it is something I am simply in awe of. The movie itself was pretty good too, haha. The power trio of Taraji P. Henson, Octavia Spencer, and Janelle Monae cannot be denied. They were fabulous. The script, which got the nomination for Allison Schroeder and Theodore Melfi, is as smart and quick as its leads, and is full of plenty of quotable one liners that had me saying “hell yeah” out loud. Overall, a thoroughly enjoyable ride, and a look into a civil rights era story that’s been buried for way too long.


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Posted by on February 21, 2017 in Uncategorized


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mv5botg0nzc1nja0mv5bml5banbnxkftztgwntcyndq0mdi-_v1_ux182_cr00182268_al_A working-class African-American father tries to raise his family in the 1950s, while coming to terms with the events of his life. (IMDb)

Nominations: Best Picture, Leading Actor (Denzel Washington), Supporting Actress (Viola Davis), and Adapted Screenplay (August Wilson)

To put this simply, I thought this was incredible. One of the biggest complaints I’m hearing is that it’s a “filmed play.” YES! That’s exactly what it is. This is how all play adaptations SHOULD be done. They stayed true to the script (so true that the original playwright is posthumously considered the writer), but expanded/added/used the advantages of film to make the story even richer. Like Moonlight (another one of my Oscar favorites), this movie is very small in scope, focusing on one family in Pittsburgh. And yet, you get a sense of the times, the mindset, the experience, of a culture. That’s how good that script is. It didn’t need to be added to a whole lot. The words did most of the talking. You go Denzel. You did it right. He also did it right acting wise. Shit. I was looking at his IMDb, and I decided I never want him to do another action movie again. And it’s not just him. Viola Davis is a force to be reckoned with. Jesus christ. She played it so close to the chest that when she got to let loose, I immediately started crying. They may as well carve her name into the Oscar statue right now. The cast as a whole was solid and had great chemistry. It didn’t hurt that Denzel did the smart thing and basically reunited the cast of the 2010 revival of this play. They all clicked into it so easily. Jovan Adepo, a relative newcomer, who plays the son, was also quite impressive. I look forward to seeing where he goes in his career. Overall, I thought this was an experience to watch, a master class in acting that I would be glad to watch again.



Posted by on February 19, 2017 in Uncategorized


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La La Land

mv5bmzuzndm2nzm2mv5bml5banbnxkftztgwntm3ntg4ote-_v1_ux182_cr00182268_al_A jazz pianist falls for an aspiring actress in Los Angeles. (IMDb)

Nominations: Best Picture, Leading Actor (Ryan Gosling), Leading Actress (Emma Stone), Cinematography, Costume Design, Directing (Damien Chazelle), Film Editing, Original Score, Original Song (2), Production Design, Sound Editing, Sound Mixing, and Original Screenplay (Damien Chazelle)

This was the one I was most curious to see. On one hand, I’m hearing rave reviews, it’s sweeping up award nominations, on the other, I’m hearing that it’s completely mediocre and the singing and dancing was not up to par. Granted, the latter mostly came from friends who try to make their living doing the singing and dancing thing. My stance? I am firmly in the middle. As someone who enjoys movies, this was a fun callback to Old Hollywood, Ryan Gosling and Emma Stone have chemistry for days, and this was visually beautiful to watch. As also a theatre and musical lover, I found the music bland and the dancing underwhelming. The good things first. Damn this was beautiful to watch. The way modern LA was blended with the Old Hollywood look was awesome. Gosling and Stone, while not the strongest singers and dancers, have charm and chemistry for days and they excelled in the acting portion of the movie, which was more important honestly. The singing and dancing were extra. Which is honestly why I found it a little bland possibly. I would be curious to hear this music sung by powerhouse Broadway singers. Everything in this movie sounded a little tinny. The only musical moment that truly forwarded the plot was Stone’s audition song, which was done nicely. She also got the chance to actually sing for the first time in the whole movie, instead of the whispery thing she was doing previously. The tap dance sequence on the hill was cute, but could have been spectacular. In this, it was just cute. So. Did I loathe this movie like some of my industry friends? No. I quite enjoyed it. But, I do think there was room for improvement.


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Posted by on February 13, 2017 in Uncategorized


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mv5bmja3njkznjg2mf5bml5banbnxkftztgwmdkymzgzmdi-_v1_uy268_cr00182268_al_A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia; 25 years later, he sets out to find his lost family. (IMDb)

Nominations: Best Picture, Supporting Actor (Dev Patel), Supporting Actress (Nicole Kidman), Cinematography, Original Score, and Adapted Screenplay.

And, mark this as the first Oscar nominee I’ve seen this year that made me cry. Man, this is an emotional journey that spans 25 years. Sunny Pawar has such presence for being such a young kid. It also doesn’t hurt that he’s adorable as hell. It also really brought to life the issues that face millions of children across the world. Dev Patel was wonderful. He may be my front runner right now for best supporting actor. Nicole Kidman gave a wonderfully understated performance. She wasn’t in a whole lot of the movie, but every moment she was on screen, she commanded it. Rooney Mara, though her character was a tad unnecessary, was lovely. Overall, this was a beautiful movie. Beautifully written, beautifully acted, beautifully shot, just beautiful. Highly recommend.


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Posted by on February 10, 2017 in Uncategorized


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